Filter-Kaffee’s second album “102” came out on E-Day 2015, on which the duo Frank Rothe and Mario Schönwälder also performed parts of it live in concert. “Sequence A” follows the same pattern, but the outcome (which also features a contemporary edge) somehow is a bit less captivating. With the 15-minute “Six-Eight Time”, the duo delivers another very nice and moody piece, taking off with melancholic spaces, followed by a fine combo of pleasantly tuned sequences and a smooth soaring solo-voice, at the end winding down with tranquil mellotron realms. The 22-minute “Darkshift”, the longest piece on the album, is a sequenced, slow unwinding exercise that’s in constant motion, gaining more body along the way (although some of the solo leads in there aren’t that attractive nor effective). The finale (“Outro”) is a short ethereal piece dedicated to the memory of Edgar Froese, who passed away a few months earlier. I think aficionados of the classic Berlin School should seek out this album despite some weaker moments. |
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